A group of us went to the True Colors production The Colored Museum.
First, it was great to see the new Porter Sanford III Performing Arts Center. Great venue!!
The play was very interesting–after an introduction that consisted of a flight attendant giving us directions about flying on the Celebrity Slave Ship, which was partly funny and partly informative, each scene was an “exhibit” in the museum. The flight attendant, very eager for us to assimilate to the times we were traveling to, asked us to repeat after her: “I don’t hear any drums, and I will not rebel.”
That was funny in itself because I’ve had conversations with friends about how drums and music have always been so integral to the African American culture. I think unbeknownst to many, rhythm has been a means of communication beyond the obvious–our souls are tied to certain sounds and we react to them subconsciously. So as an aside, I definitely agree with those who say we have to be uber cognizant and picky about what we’re listening to.
Anywho, my favorite “exhibits” were one that I called the War of the Wigs, where two wigs, one a proper long and straight and one a spunky afro. At the beginning of the exhibit, the woman who owned the wigs wasn’t aware of their conversation about her and her need to drop her zero boyfriend. They talked about how she switched her hair depending on what he was interested in or where they were going. Then, the wigs began to argue about which one of them she should wear to the break-up lunch. That’s when it got super hilarious. They eventually made their ability to speak and observe her life known, and of course she was floored. It’s amazing how our hair is so tied to our emotions and thoughts and even interests.
The other exhibit that had me completely rolling on the floor was the Tyler Perry-like episode, where everything was way overdramatized. The usual suspects were there–the mama sitting on the couch, her overly angry 30 year old son who can’t get ahead in life no matter how hard he tries, the wife who is miserable and has a dream of more but is stuck, and the sibling who has traveled the world and has a different outlook. These times 10. Eventually, “the man” shot the angry black man, and the cast began to sing him back to life. The lyrics went a little something like this:
If only he had been born into a black musical… no one ever dies in an all black musical…
Another one I enjoyed was of a man who was trying to throw away his blackness. He threw away his albums, including some Stevie Wonder!!, certain clothes, etc. Then “the kid,” presumably his childhood spirit, fought with him over it. After a long, funny battle, he ended up throwing “the kid” away too. It really made me wonder what some will do to “fit in” into mainstream majority–and if doing all that actually works. If they ever feel like they “arrived”–and if they do on the surface, what they feel when they go to bed at night.
There were also a couple of exhibits that I didn’t quite understand… Maybe they were too deep for me? One was of a soldier who died (I think) at battle and realized that no matter what, the soldiers who would make it back home would never find happiness. So he proceeded to kill them all. Yeah… I dunno, folks. Shrug.
The other one I really didn’t get was about a little girl who gave birth to a bunch of eggs. I thought I got it–she was a poor black girl whose mother never told her anything positive about herself, and she ended up getting pregnant by a delivery boy or something. Well, I thought I got it until her mom locked her in a room for several days and she laid an egg. After that, shrug.
Overall, though, The Colored Museum made me think. About all the different “stereotypes” and truths of the African American culture, and how many things seem opposite but all apply. And even how some things that seem positive can really be negative, and the other way around. The play runs through Sunday. You should totally get tickets and check it out. Then log back on and tell me what you thought (and explain what I didn’t get). Enjoy the weekend!